{"product_id":"jubako-contemporain-pour-le-nouvel-an-collaboration-de-yuji-terashima-kawamoto-taro-et-nagae-shigekazu-japon-seto-2000","title":"Contemporary Jūbako for New Year, collaboration by Yuji Terashima, Kawamoto Tarō and Nagae Shigekazu, Japan, Seto, 2000","description":"\u003ch2\u003eContemporary Jūbako for New Year, collaboration by Yuji Terashima, Kawamoto Tarō and Nagae Shigekazu\u003c\/h2\u003e\u003cp\u003eJapan, Seto, 2000. Muro Gallery.\u003c\/p\u003e\u003cp\u003eStackable food box of the \u003cem\u003ejūbako\u003c\/em\u003e type, made in collaboration by three Japanese ceramists active in Seto: Yuji Terashima, Kawamoto Tarō and Nagae Shigekazu. The set consists of three independent ceramic compartments and a painted wooden lid. The elements can be stacked in various orders, giving the object a modular, almost architectural dimension.\u003c\/p\u003e\u003cp\u003eThis piece reinterprets the traditional form of the New Year's box, intended for \u003cem\u003eosechi ryōri\u003c\/em\u003e dishes, but transforms it into a contemporary work. Each level has its own material, color, and presence. The object retains the memory of ceremonial use, while becoming a three-voice composition centered on Seto ceramics at the end of the 20th century.\u003c\/p\u003e\u003cp\u003eYuji Terashima's compartment features a sober, textured cream exterior and a silver interior, animated by a dark disk evoking the moon. This part relies on a very strong contrast between the external reserve and the internal depth. The silver, the black moon, and the polygonal shape give this section a calm, almost nocturnal dimension. Yuji Terashima is a ceramist from Seto, documented by solo exhibitions and his role as a master to younger artists. His work combines sober forms, attention to surfaces, and controlled contrasts between white, black, metal, and interior space.\u003c\/p\u003e\u003cp\u003eKawamoto Tarō's compartment is crafted from a rough, dense brown material with a black interior. The very physical exterior surface evokes earth worked like skin. It gives the whole its visual weight and material anchoring. Kawamoto Tarō belongs to the lineage of Kawamoto Gorō, a major figure in post-war Seto ceramics. His work is part of a heritage where the ceramic object transcends utility to become constructed form, expressive material, and sometimes trompe-l'œil. In this box, his part acts as a dark, organic base.\u003c\/p\u003e\u003cp\u003eNagae Shigekazu's compartment is made of white ceramic, with a crackled and slightly modeled surface, a golden rim, and a light interior punctuated by small dark dots. It introduces a sharp, almost architectural light. Nagae Shigekazu, born in Seto in 1953, is internationally recognized for his work in molded, fine, white porcelain, often deformed by firing. He transformed a technique derived from mass production into a contemporary sculptural language. His works are present in major international collections, including LACMA, the Victoria and Albert Museum, Sèvres, the Musée Ariana, and the National Gallery of Australia.\u003c\/p\u003e\u003cp\u003eThe painted wooden lid visually unites the three voices of the ensemble. Its white surface is traversed by lines, scratches, signs, and colored passages, akin to gestural writing. These marks evoke drawing, graffiti, signature, and movement. They give the object a freer, more immediately contemporary dimension. The lid functions as a common page laid over three distinct materials.\u003c\/p\u003e\u003cp\u003eThe \u003cem\u003etomobako\u003c\/em\u003e bears the inscription Muro 2000, as well as the artists' signatures on the reverse of the lid. The presence of the Muro gallery card in Seto and attached biographical notes indicates a provenance most likely linked to this gallery, perhaps as part of a group exhibition or a specific New Year's project.\u003c\/p\u003e\u003cp\u003eThis work is interesting because it does more than just update a traditional form. It brings into dialogue three ceramic languages: Terashima's silvery, silent moon, Kawamoto's brown, rough material, and Nagae's structured, gilded whiteness. The \u003cem\u003ejūbako\u003c\/em\u003e becomes a layered work, simultaneously a ceremonial box, a stackable sculpture, and a discreet manifesto of contemporary Seto ceramics.\u003c\/p\u003e\u003cp\u003eOriginal signed tomobako, Muro 2000 inscription, signatures of the three artists on the reverse of the lid. Muro gallery card and biographical notes attached.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e total height approx. 20 cm; width approx. 27 cm; depth approx. 19 cm. Each compartment measures approx. 27 × 19 cm, with slight variations due to the polygonal shape.\u003c\/p\u003e","brand":"Sinapango ","offers":[{"title":"Default Title","offer_id":54130135925082,"sku":null,"price":1800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0957\/8568\/1242\/files\/IMG-8754.jpg?v=1778764955","url":"https:\/\/sinapango.com\/en\/products\/jubako-contemporain-pour-le-nouvel-an-collaboration-de-yuji-terashima-kawamoto-taro-et-nagae-shigekazu-japon-seto-2000","provider":"Sinapango ","version":"1.0","type":"link"}