This 1992 work by Kiyomizu Rokubei VIII is a remarkable sculpture with geometric form and sharp angles. The piece features a complex structure of inclined planes and voids, creating a fascinating play of light and shadow. The matte black glaze used for this sculpture adds subtle texture and visual depth, accentuating the facets and edges.

The innovative form of this work reflects the influence of Rokubei VIII's architectural training, incorporating architectural principles into ceramics. The contrast between smooth surfaces and angular edges demonstrates the artist's technical skill and artistic originality. This minimalist, structured approach is characteristic of Rokubei VIII's style, which successfully blends tradition and modernity harmoniously.

Born in 1954 in Kyoto, Kiyomizu Rokubei VIII, whose real name is Masahiro Shimizu, belongs to a prestigious line of ceramicists, the Kiyomizu Rokubei, whose roots date back to the Edo period. A graduate of Waseda University's School of Architecture, Masahiro Shimizu made his debut in the world of ceramics by winning the Grand Prize at the Asahi Ceramics Exhibition in 1983, a milestone in his career.

In 2000, he took the name Rokubei VIII after his father's retirement, continuing the family legacy.

His work is distinguished by bold, geometric forms, often inspired by his background in architecture. Rokubei VIII's pieces are known for their clean aesthetic and innovative use of glaze, sometimes resembling enameled metal.

His work has been featured in numerous exhibitions both in Japan and internationally, including renowned galleries such as Joan B Mirviss LTD and ccc's Nonaka-Hill Gallery, which held a solo exhibition of his work in 2023 and exhibited some of his sculptures at Art Basel HK.

His works are also exhibited in prestigious museums such as the Tokyo National Museum and the Metropolitan Museum of Art.

Height: approximately 29.5 cm

Box/Tomobako