Japanese lacquer confectionery box, in the shape of a turtle, 19th century

This exceptional decorative object illustrates the legend of Urashima Tarō.

A rare piece from the 19th century , this large lacquered wooden treat box takes the form of an imposing Minogame turtle, a symbol of longevity in Japanese tradition.

69 cm long, it seduces with its sculptural presence and the finesse of its work in natural brown and gold lacquer. The surface is entirely decorated in maki-e, using brown lacquer and gold powder to draw the scales of the turtle. The eyes are made of glass.

The lid, topped with a patinated bronze snail—an ancient symbol of rebirth and prosperity—opens to reveal a scene painted inside depicting the hero Urashima Tarō, dressed in his court attire, holding a mysterious box and facing the underwater castle of Ryūgū-jō.

The legend, popular since the 10th century, tells the story of a fisherman who, after saving a turtle, is taken underwater to Ryūgū Palace. He spends a few days there with Princess Otohime before wanting to return to land. Upon his departure, she gives him a box (tamatebako) that he must never open. Upon returning home, Urashima discovers that several centuries have passed. He then opens the box in despair and is immediately transformed into an old man or, according to some later variants, into a snail—the ultimate metaphor for the vanity of suspended time and irreversible transformation. This latter, rarer version is evoked here by the very presence of the snail on the turtle's back.

This rare piece, likely commissioned for a high-ranking household, is part of a tradition of luxurious pieces given on special occasions. Its spectacular size, gold decoration, and narrative power make it a major decorative work. It is aimed at collectors of exceptional Japanese objects and decorators seeking pieces that are unexpected, expressive, and laden with symbolism.

Dimensions: H. 22 cm × L. 69 cm × D. 34 cm

Materials: Urushi lacquered wood, maki-e gold powder, patinated bronze

Origin: Japan, Edo period, 19th century

Condition: Very good condition, with some minor signs of use.