Yasuyoshi Sugiura was born in Tokyo in 1949. After completing his undergraduate and graduate studies in ceramic arts at the Tokyo National University of Fine Arts and Music in the early 1970s, he trained under two Living National Treasures of Japan, Fujimoto Yoshimichi and Tamura Kōichi, who profoundly influenced his approach to ceramics.

In the 1980s and 1990s, Sugiura gained significant recognition for his series of monumental installations titled "Ceramic Stones" and "Ceramic Forests." These imposing, non-functional works were inspired by the natural environment surrounding his studio in Manazuru, Kanagawa Prefecture, where he moved in 1984. These installations, marked by their strong connection to nature, can be found in various public spaces, including the gardens of major museums such as the Tochigi and Gifu Prefectural Museums, as well as the Aichi Prefectural Ceramic Museum.

Sugiura is also known for his "saimon-ki" (colored vases), which feature pastel hues reminiscent of ancient frescoes, and this is a fine example. These works, often described as combining the earthy qualities of clay with the vibrancy of painted surfaces, display a unique interplay of textures and colors.

Later in his career, Sugiura shifted his focus from large-scale abstractions to more realistic depictions of nature, particularly flowers. This phase of his work earned him increased recognition, including a prize at the Paramita Museum's First Annual Ceramics Competition and a scholarship from the Tomo Museum.

His works are now part of prestigious collections around the world, including those of the Asian Art Museum of San Francisco, the Brooklyn Museum and the Yale University Art Gallery.