Yasuyoshi Sugiura, Saimon-ki sculptural plaque, coloured slips on ceramic, Japan, circa 1990

Yasuyoshi Sugiura was born in Tokyo in 1949. After completing his undergraduate and graduate studies in ceramic arts at the Tokyo National University of Fine Arts and Music in the early 1970s, he trained under two Japanese Living National Treasures, Fujimoto Yoshimichi and Tamura Kōichi, who profoundly influenced his approach to ceramics.

In the 1980s and 1990s, Sugiura gained significant recognition for his series of monumental installations entitled “Ceramic Stones” and “Ceramic Forests.” These imposing, non-functional works were inspired by the natural environment surrounding his studio in Manazuru, Kanagawa Prefecture, where he settled in 1984. Closely connected to nature, these installations can be found in a number of public spaces, including the gardens of major museums such as the Tochigi and Gifu prefectural museums and the Aichi Prefectural Ceramic Museum.

Sugiura is also known for his saimon-ki (“coloured vessels”), characterised by pastel hues reminiscent of ancient frescoes; the present work is a fine example. These works combine the earthy qualities of clay with the vibrancy of painted surfaces, creating a distinctive interplay of texture and colour.

Later in his career, Sugiura shifted his focus from large-scale abstractions to more realistic depictions of nature, particularly flowers. This phase of his work brought him further recognition, including a prize at the Paramita Museum’s First Annual Ceramics Competition and a scholarship from the Tomo Museum.

His works are now held in prestigious collections around the world, including the Asian Art Museum of San Francisco, the Brooklyn Museum and the Yale University Art Gallery.

Sugiura’s ability to convey the delicate yet powerful essence of nature through ceramics has made him a major figure in Japanese and international art. His works continue to be celebrated for their meticulous craftsmanship and profound connection with the natural world.

Approx. 36 × 33 × 5 cm.

Accompanied by its signed tomobako.